MODERATE SPOILERS: video discusses a lot of the story but not the ending

Crouching Tiger, Hidden Dragon is one of the best movies of the 21st century and today WE'RE GONNA TALK ABOUT WHY

Guest-starring my parents

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In this video, I did a breakdown of the cinematography in the HBO show Euphoria. The show has a unique visual style that pops off the screen.

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Email: Deconstructed44@gmail.com

MUSIC
In the Atmosphere
Red Pool - Jobii
Satisfaction - Ocean Jams
Brew- Jobii
Golden Hour- Sarah, the Illstrumentalist
Malachite- Sarah, the Illstrumentalist
Classical Antiquity- Jobii
Heart Street- Jobii
Euphoria title track

Deep, rich, and varied, like the characters and worlds of his films themselves: Japanese animation master Hayao Miyazaki (and his color designer Michiyo Yasuda — now that’s a dream job if we’ve ever heard of one!) create color schemes that immerse you in the fascinating, feel-good fantasy for which the film studio behind Princess Mononoke, Spirited Away, My Neighbor Totoro, and many more is best known. Rich tones and bright shades are more lush and luxuriously rendered than regular live-action, with a handmade charm that CGI could never replicate. Treat yourself to a heaping helping of the eye candy that Miyazaki and Yasuda have cooked up for their loyal audiences!

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With the support of Creative Europe – MEDIA Programme of the European Union.

Pirates of the Caribbean: The Curse of the Black Pearl showcases the best of the adventure genre by using key genre elements as fundamental building blocks of the story and character design. In this video, the LFTS team explores four critical components of classic adventure films, dives into the deeper ways Pirates utilizes them as core design rules (or guidelines), and demonstrates why remixing the genre with an unexpected element helps make the film feel fun, spooky, and surprising.

Listen to our patron-exclusive Pirates of the Caribbean podcast episode: https://www.patreon.com/posts/37388449
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Video Produced by: Michael Tucker (https://twitter.com/michaeltuckerla)
Written by:
- Tricia Aurand (https://twitter.com/TriciaJeanA)
- Brian Bitner (https://twitter.com/BrianBitner)
- Alex Calleros (https://twitter.com/alex_calleros)
- Michael Tucker
Edited by: Alex Calleros

Adventure Resources:
- https://www.encyclopedia.com/arts/encyclopedias-almanacs-transcripts-and-maps/action-and-adventure-films
- https://www.filmsite.org/adventurefilms.html
- The Encyclopedia of Adventure Fiction, Don D'Ammassa: Encyclopedia of Adventure Fiction - Don D'Ammassa (https://books.google.com/books/about/Encyclopedia_of_Adventure_Fiction.html?id=kHwjAQAAIAAJ)
- The Romance of Adventure: The Genre of Historical Adventure Movies (Studies in Popular Culture)
https://www.amazon.com/Romance-Adventure-Historical-Studies-Popular/dp/0878055983

Become a channel member here on YouTube: https://www.youtube.com/channel/UCErSSa3CaP_GJxmFpdjG9Jw/join
Check out my kit, from screenwriting books to gear: https://kit.co/LFTS/screenwriting-books
LFTS Recommended Reading List: https://www.lessonsfromthescreenplay.com/reading-list/

Thanks to Diego Rojas for composing original music for this video. Check out more of his work: https://soundcloud.com/diegorojasguitar

TwinSmart's Marxist Arrow is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)
Artist: http://www.twinmusicom.org/

With the company Twin musicom licensed under the Creative Commons license Attribution (https://creativecommons.org/licenses/by/4.0/)
Artist: http://www.twinmusicom.org/

Бит - это одна из важных сюжетных точек, которая формирует структуру истории. (В отличие от незначительных точек сюжета, которые просто добавляют текстуру или формируют сцену, или обеспечивают некритическую экспозицию).  Бит - событие, открытие или инцидент, который изменяет цели персонажа и/или влияет на драматическое напряжение. Бит коротко записывается и очень функционален. Список битов (Beat Sheet).Изначально так называлась система работы над сюжетом, до того, как переходить к поэпизоднику, и строилась…

Listen to our podcast episode in which we dive deeper into Minority Report http://bit.ly/2WPtJSM:

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Phillip K. Dick is well known for inspiring some of the greatest story worlds ever put on screen, and Minority Report is no exception. But the design of the technology isn’t the most important part of the story world. The concept of Precrime—arresting people before they’ve actually committed a murder—is the important part of Minority Report’s story world; the futuristic cars, jetpacks, and illogically transparent screens are just cool. In this video we compare three versions of this story—Philip K. Dick’s original short story from 1956, Jon Cohen’s 1997 script, and Scott Frank’s final script—to explore how each tries to establish the philosophy of the story world. We look at how they attempt to persuade the audience to believe in the system of Precrime, and examine how the story world itself becomes the antagonist of the story. Let’s take a look at Minority Report.

## Sources:
https://www.youtube.com/watch?v=4JgxdY1zV2s&ab_channel=BAFTAGuru

https://cinephiliabeyond.org/minority-report-steven-spielbergs-proof-dont-need-sacrifice-substance-produce-spectacle/

https://www.youtube.com/watch?v=A5RsWBFd-U8&ab_channel=Cinemusic7888

https://www.scriptmag.com/features/interview-screenwriters-minority-report-jon-cohen-scott-frank

## Credits:
Produced by: Michael Tucker (https://twitter.com/michaeltuckerla)
Written by: Brian Bitner (https://twitter.com/BrianBitner)
Edited by: Alex Calleros (https://twitter.com/alex_calleros)

Become a channel member here on YouTube: https://www.youtube.com/channel/UCErSSa3CaP_GJxmFpdjG9Jw/join

Check out my kit, from screenwriting books to gear: https://kit.co/LFTS/screenwriting-books

LFTS Recommended Reading List: https://www.lessonsfromthescreenplay.com/reading-list/

Translate this video: http://www.youtube.com/timedtext_video?ref=share&v=QbMPjas_rRU

Thanks to Diego Rojas for composing original music for this video and this channel! Check out more of his work: https://soundcloud.com/diegorojasguitar

TwinSmart's Marxist Arrow is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)
Artist: http://www.twinmusicom.org/

With the company Twin musicom licensed under the Creative Commons license Attribution (https://creativecommons.org/licenses/by/4.0/)
Artist: http://www.twinmusicom.org/

Зачем читаем? 🚨

Всё просто – это один из моих любимых сай-фаев. Здесь мне нравятся хай-концепт и история, которая вокруг него рассказана. Когда я увидел отдел профилактики преступлений (или прикрайм в оригинале), это меня поразило. Наверное, это был первый раз, когда я подумал: «Как же круто придумано!» Затем я влюбился в мир, технологии и противоречия созданной Фрэнком, Спилбергом и Крузом вселенной.

А ещё… я так долго тянул от анонса до разбора, потому что прочитал первый драфт от 1997 года и рассказ Филипа К. Дика, мы их все сравним. Что ж, поехали.

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Wes Anderson heightens his style to an almost absurd level for The French Dispatch. In this video I look at how he does that, and if it serves the story.

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Sources:
An Editor's Burial (Articles that inspired the film): https://amzn.to/3Fv5MS6
The French Dispatch Screenplay: https://amzn.to/3fs01Ka
The French Dispatch Blu-Ray: https://amzn.to/33C6UWx

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