The New York Times TV critic James Poniewozik quipped, "don't expect too much improvement too fast from Westworld 2.0. It's still overly focused on balletic blood baths and narrative fake-outs, and much of the dialogue still sounds as if it were written as a tagline for a subway poster, like Dolores's 'I have one last role to play: myself.' But Westworld remains a glorious production to look at, and there are stretches where it feels invigorated by its new, expanded world—freer to breathe, relax, invent."[62] Ben Travers of IndieWire wrote, "all around, the actors remain strong, including a number of new cast members. Where season 2 stumbles is its structure and pacing. Episodes don't carve equal time for everyone; they focus on the two most connected stories and sometimes break for an entire hour without getting back to a series regular."[63] After the release of the third episode, Forbes criticized the season for departing too far from the show's roots and instead trying to be an "action blockbuster", arguing in part that the violence was overdone in comparison to the first season.[64]